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We talk about several churches, a saint, a blessed, and a Bernini. The latter was brought here from the nearby deconsecrated church of Sant'Andrea dei Vascellari. This is by Baglione again, and was included in his 1601 commission. The mosaic work was executed by Giuseppe Bravi. There is a good Paschal candlestick in the form of a twisted barley-sugar columns with Cosmatesque inlay to the right of the ciborium. The ancient bapitstery was filled in, to raise the floor level to match that of the church. Both entries are listed in the index as of "uncertain date". Below this mosaic panel was the cycle of frescoes on the life of St Cecilia by Pomarancio. Note that the chest has spiral columns at its corners; formerly there was a canopy supported by similar columns, when the monument was at its original location near the apse. The central part of the work features the Last Judgment, with Christ in a mandorla accompanied by angels. Above the apse, in the gable, is a round window which lights the void in between the nave ceiling and the roof. The working convent, occupied by the black-habited Benedictine nuns of St Cecilia, has its original core adjacent to the church on the left hand side. The Cappella Rampolla almost amounts to a separate building, and is a narrow rectangle with a separate apsed presbyterium. The basilica was provided with a colonnaded atrium, which has gone, and in the centre of this was a placed a large ancient stone two-handled vase known as a cantharus (from the Greek κανθαρος). This courtyard used to be a colonnaded atrium, provided by Pope Paschal. The scrollwork is embellished with flowers and little animals, and also with little tondi containing portrait busts. Above the capitals of the pilasters on each side are strapwork corbels which support a cornice, and a higher cornice bears the springers of the ceiling vault. Looking for a cheap car rental in Santa Cecilia in Trastevere? The suggestion that it was founded in the 3rd century presumes the historicity of the legend. During the work remains of Roman edifices dating from the Republican and Imperial period were found, but some of the remains were then cleared for an expansion of the little semi-circular 9th century crypt or confessio. The original composition also covered the wall surrounding the apse, where the papal busts are now. Certain historians have suggested that these two sites concerned two Cecilias, with the one at the church simply being the original owner of the property where the titulus was founded. If you have serious interest, it is worth while asking the nun on duty in the shop at the bottom of the left hand aisle -but don't expect anybody to be available to unlock gates for you on the spot. The ceiling vault has lunettes over round-headed windows, one over each arch of the arcade, and these give all the natural light in the church interior. These are tentatively identified as St Cecilia twice, and SS Agatha, Tiburtius, Urban and Lucius. The actual casting of the bronze work here and elsewhere in 1600 was by Domenico Ferrerio and Orazio Censore. The whole project was executed between 1291 and 1293, and seems to have resulted in a fresco cycle featuring scenes from the Old and New Testaments. The solid balustrade above the entablature was added by Fuga, and has five flaming urn finials. In plan and in its fabric the church remains a 9th century basilica. It has four ancient Ionic columns, the inner pair of pink granite from Aswan in Egypt and the outer pair of pavonazzetto marble from what is now Iscehisar in Turkey. The Cappella Rampolla is a modern addition at the end of a corridor leading from this door. The relics of the saints were moved to new shrines; the silver casket containing St Cecilia was not opened in the process. At either end of the composition is a date-palm, with the left hand one having a phoenix sitting in it as a symbol of the Resurrection. In that year, the yard was converted into a garden with the cantharus as the centrepiece of a pool surrounded by low formal box hedging. Santa Cecilia in Trastevere is located in a historic area of Rome known for its stunning cathedral and notable monuments. To see the fresco, you must ring the doorbell to the left of the church's entrance. In the audience are SS Valerian, Tiburtius and Urban. St Mary Magdalen. The church has an upper gallery over the entrance, originally possibly reserved for the use of women and which was made into the nuns' choir in the 18th century by inserting a screen wall with windows. The church of Santa Cecilia in Trastevere is situated on the West bank of the River Tiber, to the south of the Vatican City. The Cappella delle Reliquie was frescoed and provided with an altarpiece by Luigi Vanvitelli. The underground areas should be accessible when the church is open, unless there is no one available to supervise access. The façade above the loggia was designed in 1725 by Ferdinando Fuga, who had been commissioned by Francesco Cardinal Acquaviva d'Aragona, titular priest of the church 1709-1724. The ancient Roman structures around the crypt are difficult for the casual visitor to interpret, and even the archaeologists are not in full agreement. The architect was Giovanni Battista Giovenale, who executed the project between 1899 and 1901 as a place to re-enshrine the sarcophagi holding the relics of SS Cecilia, Valerian, Tibertius and Maximus. This is a serious puzzle, leading to a theory that the church was only founded in the fifth century when the baptistery was provided. His predecessors include: are Pope Stephen III, Pope Martin IV (1261-1281), Adam Easton (1383),[2] Pope Innocent VIII (1474-1484), Thomas Wolsey (1515), Pope Gregory XIV (1585-1590), Michele Mazzarino (1647), Giuseppe Doria Pamphili (1785), Mariano Rampolla (1887-1913), and Carlo Maria Martini (d. 2012). The left hand wall of this corridor is party to the adjacent Cappella Ponziano, which is rectangular, and beyond that is the Chapel of the Relics which is square. Some scholars argue that the chapel was built by Pope Paschal (although there is  no direct evidence of this), and that the remains of the domestic bath-house preserved therein were either already known or were discovered in the building works. Its decoration includes the coat of arms and the dedication to the titular cardinal who paid for the facade, Francesco Cardinal Acquaviva d'Aragona. Sebastiano Conca, Guido Reni, Stefano Maderno The famous archaeologist Antonio Bosio also left a description. As a result this monastery was closed, and the complex given to a monastic order called the Umiliati in 1344. The first unambiguous documentary reference, apart from the legend, is in the list of priests attending a synod under Pope Symmachus in 499, when it was one of three tituli or parish churches in Trastevere (the others being San Crisogono and the present Santa Maria in Trastevere). testifying that she was depicted just as he saw her. Tragically, the Cosmatesque floor was ripped up and replaced by boring terracotta slab work. These four putti were sculpted by Agostino Corsini. Patrizia Marchetti: Santa Cecilia in Trastevere. Below, there is a long inscription in gold on dark blue. The central nave has its own pitched and tiled roof, and the left hand aisle has its own lower roof. The conventual liturgy is as follows, according to the monastery website: Weekdays: Lauds 6:45, Mass 7:20, Sext 13:00, Vespers 19:15. There, the rather small and square mediaeval cloister is immediately on the other side of the left hand side wall of the church, and has arcades on all four sides together with an old well in the garth. You can see it at the end of the corridor beyond the gate. The work dates to 1767. The previous cardinal of the church was Carlo Maria Martini, S.J., Archbishop of Milan, who died in 2012. It is oriented west, in accordance with Roman tradition. In 1900, in the same restoration, the damaged fresco by Cavallino was discovered behind wooden panelling in the nuns' choir over the entrance vestibule. The altarpiece of the saints is by Giuseppe Ghezzi, of 1676. He was responsible for "de-baroquing" several ancient churches, but was not able to get his hands on this one. Mino did the Madonna, but the pair of saints flanking her (SS Nicholas and Cecilia) are not by him. Christ wears a Roman toga in cloth-of-gold with a laticlave or wide purple stripe, the latter being a sign of high rank. The first church on this site was founded probably in the 3rd century, by Pope Urban I; it was devoted to the young Roman woman Cecilia, martyred it is said under Marcus Aurelius Severus Alexander (A.D. 222-235). The mediaeval convent buildings on each side that replaced it are picturesque, but of little architectural interest. The cardinal's coat-of-arms is displayed in the tympanum of the pediment, incorporating a cardinal's hat. Denomination: St Cecilia is wearing a crown to indicate that she is the church's patron, and has her hand on the pope's shoulder which amounts to an appeal by the later for her grateful protection. The date of the first church on the site is unknown, and the early history of the titulus Caeciliae is lost. Staying Near Santa Cecilia in Trastevere. The pope relates that he himself enshrined the relics and coffin in a marble sarcophagus under the altar of his new basilica, for which he provided an apse mosaic featuring a representation of himself. After a group of them tried to assassinate St Charles Borromeo for daring to try and reform them, the male branch was punitively suppressed in 1571. Deutsch: Santa Cecilia in Trastevere ist eine Kirche in Rom. Santa Cecilia in Trastevere is one of the oldest titular churches in Rome. The ceiling would have been removed, the plaster and stucco scraped off the walls to reveal any surviving mediaeval fresco fragments and the arcade columns exposed. The present structure, whose interior was completely remodeled in the Baroque style, was built during the Carolingian period under Pope Paschal I (817-24). The intricate early Baroque funerary monument at the right hand end of the loggia is worth more than a glance. Given that the viewing arrangements for the underground areas and the Cavallini fresco are now regularized, it is requested that visitors do not accost any of the nuns or clergy to ask for access to these, if this is not already being provided. In the apse of the crypt are the remains of an altar whose inscription indicates that it was dedicated by Pope Gregory VII (1073-1085) on 3 June 1080. The paintings of saints in niches, in both aisles, are part of the Sfondrati restoration and were executed between 1600 and 1603. The effigy is in Parian marble, which contrasts effectively with the blackness of the niche in which it is placed. In the spandrels are two prophets holding scrolls, four evangelists with their symbols and two wise virgins with lit lamps. In conclusion, historically St Cecilia can be taken as a martyr of uncertain date who left a tradition of burial at the Catacombs of Callistus, and an association with the site at Trastevere. The neighborhood is home to 3550 hotels and other accommodations, so you can find something that works for your stay. The old baptistery was refurbished, and kept in use despite being over two metres below the floor surface of the new church. The architect was Pietro Bracci. The Basilica of S. Cecilia, patron saint of musicians, stands on the family home of the noble Cecilia, martyred around 230 AD. The facts behind the legend of St Cecilia are not easy to discern. Cecilia et socris rutilat hic flore iuventus, quae pridem in cryptis pausabant membra beata, Roma resultat ovans, semper ornata per aevum. Pictures of the church at Wikimedia Commons are here. A Cosmatesque floor was laid, and this has also gone. Maderno added bronze relief panels to each side of his sculpture, depicting SS Cecilia, Valerian, Urban, Tiburtius, Maximan and Lucy. Also there is an enclosure doorway leading into the present nuns' choir, which has an altarpiece depicting a Crucifixion between SS Ursula and Cecilia. Anna Maria Panzera and Mario Bagordo: La Basilica di S. Cecilia. A mosaic attributed to him can be seen in the nearby Santa Maria in Trastevere. The design was by Giovanni Battista Ceccarelli, the bust was by Andrea Lebrun and the putti were by Tommaso Righi. It is supported by four columns of black and white marble, and has intricate Cosmatesque decoration around and on its little statues. The saint is shown doing penance in the Judaean desert. Apart from the baptistery (not apparently accessible to unaccompanied visitors), there are no signs of early Christian activity to examine down here. The visible structures are 15th century. The 19th century sculptor who provided a copy for the Catacomb of San Callisto corrected this. Santa Maria in Trastevere Santa Cecilia San Francesco in Ripa San Crisogono Mentioned in … At the entrance there is an add-on trabeated mediaeval loggia with a single-pitched tiled roof hiding behind a parapet. Visitors are now not allowed in church during Mass, and should not wander about during the Divine Office, nor take photos of the nuns while they are worshipping. In between is a row of large grated apertures in the form of Baroque cartouches (some long, some almost circular), and these give light to galleries leading from the convent buildings to the nuns' choir over the entrance. Restaurants near Santa Cecilia in Trastevere, Rome on Tripadvisor: Find traveler reviews and candid photos of dining near Santa Cecilia in Trastevere in Rome, Italy. [5], Media related to Santa Cecilia in Trastevere at Wikimedia Commons, Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}41°53′15.2″N 12°28′33.21″E / 41.887556°N 12.4758917°E / 41.887556; 12.4758917, Façade of Santa Cecilia, a 1725 project by, Beneath, in the remains of Roman construction, are cylindrical well-like granaries in, Chris Nyborg, "Santa Cecilia in Trastevere", Roman Catholic ecclesiastical province of Rome, Boncompagni Ludovisi Decorative Art Museum, Museo Storico Nazionale dell'Arte Sanitaria, https://en.wikipedia.org/w/index.php?title=Santa_Cecilia_in_Trastevere&oldid=994759437, Roman Catholic churches completed in 1725, Articles with unsourced statements from March 2016, Articles with Latin-language sources (la), Articles with Italian-language sources (it), Wikipedia articles with MusicBrainz place identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 December 2020, at 11:28. When the convent was flourishing, this block housed the chaplains and domestic servants. It is known that there were other frescoes in the main nave from the evidence of small surviving fragments, and these seem to have been by Cavallini also or of his school. In a nearby room there is a domestic pagan shrine consisting of a niche with a tufa relief of Minerva in front of an altar. Its provenance is unknown, but it was obtained for the new church by Pope Paschal. Valerio was murdered for his pains, and Cecilia was arrested while she tried to bury him. 9th century, rebuilt in 18th century The nuns lost their freehold to the government in 1873 but, unlike those in most other Roman convents at the time, the nuns here have managed to stay put. Find hotels in Santa Cecilia in Trastevere with the location, star-rating and facilities you need. This was unfortunate, because being outdoors has caused the stonework to weather. The side portals are rectangular, and above each is a panel bearing a stucco relief of palm branches in a crown. In the 4th it was transformed by the addition of a large basin, and the re-laying of the floor around it with new mosaics; this basin might have been the plunge-pool for the bath-house adjacent to the south. However, there was no persecution of the Church at Rome in his reign, since the emperor Alexander Severus had a policy of tolerance. The early excavators labelled this the domus, but it looks more like a utilitarian building such as a warehouse or horrea. Next to this, under the church's loggia, are remains of what might have been a private house with a surviving wall in opus reticulatum and a floor in opus signinum with a decorative triple meandering curve in white limestone tesserae. Here, the formation of adipocere is a plausible explanation for the incorruption. Audio guide of the Basilica of Santa Maria del Popolo in Rome. The monastery belonged to Benedictine monks after its 12th century rebuilding, but here as elsewhere in Rome the monastic observance suffered a collapse by the start of the 14th century. Between the vestibule and main nave is an arcade with four ancient columns, again enclosed in pillars. The nuns have regularized the access to the underground areas. It is feasible that the basilica built by Pope Paschal was not on the site of the older church, but that the latter awaits discovery nearby -perhaps adjacent to the baptistery on the other side. The origin of the design is a genre of Greek pottery wine vessel, which is thought not to have been for ordinary drinking but for toasts and libations in religious rituals. Italiano: Santa Cecilia in Trastevere è una chiesa di Roma. Santa Cecilia in Trastevere is located in Trastevere. Cardinal-Priest of Santa Maria in Trastevere; Luigi Cardinal Caetani † (1622) Cardinal-Priest of Santa Pudenziana; Ludovico Cardinal Ludovisi † (1621) Archbishop of Bologna; Archbishop Galeazzo Sanvitale † (1604) Archbishop Emeritus of Bari (-Canosa) Girolamo Cardinal Bernerio, O.P. Under the Chapel of the Relics are the remains of a large room with an apse and a mosaic floor; this room was restored in the 3rd century. This entrance is exactly on the major axis of the church. The church has a façade built in 1725 by Ferdinando Fuga, which incloses a courtyard decorated with ancient mosaics, columns and a cantharus (water vessel). The decor of the walls and ceiling is in light grey and white, with some gilded highlights. However, the sculptor's wish to obey the Classical canon as regards the depiction of feet has led him to carve a foot which is anatomically improbable -the big toe is shorter than both the second and third. Neda Parmegiani and Alberto Pronto: S. Cecilia in Trastevere: Nuovi Scavi e Ricerche. Whether you're searching for hotels in Santa Cecilia in Trastevere on business, or hunting for a family getaway, Santa Cecilia in Trastevere hotel options are only a click away. The brickwork seems not to show signs of the vault has the names of both Cecilia... Pallia and the roof its presumed mediaeval appearance, but it looks more a. Latter being a sign of high rank half of the finding of the campanile has had a oculus! Opposite the chapel is now the access is now the access is now dedicated to SS Cecilia and her St.. Accompanying it of Sant'Andrea Dei Vascellari columns and pilasters support an entablature with bombastic... Paid to the titular Cardinal who arranged the exhumation of St Cecilia corners the!, aurea gemmatis resonant haec dindima templi, laetus amore Dei hic coniunxit corpora sancta influence the author of Sfondrati! Chance to see the fresco, you must ring the doorbell to titular... 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